Camera Corps Partners In World's First Live 3D Music Webcast

Eight HD cameras, each with a dedicated Camera Corps CCU, were supplied for the performance which was televised from Abbey Road studios in London on April 2.

The multicamera shoot was also viewable in 3D on the Keane website where Keane aficionados could order red and cyan anaglypic glasses. The glasses were distributed with the band's latest 7 inch single, 'Better Than This'. The performance itself marked the anniversary of a Beatles live satellite broadcast. As well as feeding live to the web, the production was captured to HD videotape, fed live to Cinema (Vue West End) and trialed on Sky TV's 3D TV platform live via a Sky box.

Vicki Betihavas, Producer at Nineteen Fifteen, said: "Camera Corps lived fully up to their reputation for helpfulness and efficiency. They provided six Hitachi DK-32 and two Toshiba IK-HD1 cameras plus a remote control system for each camera, the production being in full 1080/50i HD. All the cameras were used in 3D-pair configuration. The Toshibas were coupled on a Steadicam. Two of the Hitachi cameras were fitted on a 20 foot Technocrane and the other four positioned in different locations around the studio. The CCUs enabled us to ensure that all the cameras were uniformly aligned."

Andy Millns, Director at Inition, said: "3D has always been technically challenging from acquisition and post-production through to distribution. Current video hardware was not designed to handle 3D images but the ability to view and manipulate 3D pairs of HD sources is an essential tool for 3D production, Our SB-1 processor allows producers to monitor and manipulate 3D on a wide range of 3D and non-3D monitors and TVs."

Camera Corps' Director of Operations, Matt Frost, said: "3D has been around since the earliest days of photography, film and television. It presents a series of very interesting challenges, not least in the way images are delivered to the audience. Direct-view stereoscopic displays are now on the market from several major manufacturers and could eventually transform 3D viewing from a minority activity into a serious option for mainstream broadcasting. The ingenuity and creativity shown by Nineteen Fifteen will undoubtedly encourage faster adoption of this technology.

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